In How We Divide the World, Ai Kitahara introduces new works that explore two of the most conspicuous borders in our world: the large-scale "national borders" that contribute to dividing and defining world societies and, at the opposite end of the scale, "doors," an utterly common type of border that most of us personally experience nearly every day.

The center of the large exhibition hall is occupied by an 11 square-meters sculpture representing, in relief, the national border ridgeline between France and Belgium. Although these two countries share their common border, the way this border is perceived depends on from which side it is being viewed—an effect made clear by Kitahara's standing projections and depressions and the way these reverse themselves depending on the viewer's vantage point. The work is displayed oriented from the perspective within France, but it is designed to allow visitors to actually walk on top of it ("outside" of France, in other words).

The small exhibition hall is occupied by an unusual "door," which not only can be opened and closed, but also allows visitors to sit within it in order to experience, from its dual vantage point as a border, the two different spaces it separates.

These two works bring two different kinds of borders into our awareness and invite us to experience and consider their meanings.
These two main works are complemented by about thirty sculpture prototypes and drawings.

We hope that this exhibition will bring Ai Kitahara the exposure in Japan she deserves, supporting her future production efforts in a way that will give people in Japan more opportunities to experience and appreciate her work.