The Shiseido Gallery is pleased to announce an exhibition by artist Yasumasa Morimura, titled Las Meninas Renacen de Noche (In Praise of Velázquez : Handmaidens Reborn in the Night), to be presented from September 28th (Sat) through December 25th (Wed), 2013. This exhibition is part of the “Japan & Spain: 400 Years of Relations” project being undertaken in the two countries during 2013 and 2014.
Morimura began impersonating himself into appropriated works of art back in 1985, when he first applied the technique to a self-portrait by Vincent Van Gogh, and he has continued this thematic approach through to the present. In 1988, he was selected to participate in the Venice Biennale's Aperto exhibition, and since then has pursued an active career both in Japan and abroad. Some of Morimura's notable solo exhibitions have included: Sickness Unto Beauty – Self-portrait as an Actress (Yokohama Museum of Art) in 1996; Fantasy Museum — Myself as a Picture (Museum of Contemporary Art, Tokyo) in 1998; An Inner Dialogue with Frida Kahlo (Hara Museum of Contemporary Art) in 2001; Requiem: Art on Top of the Battlefield (Tokyo Metropolitan Museum of Photography and other museums) in 2010; and many others. Morimura has received numerous awards, including the Minister of Education Award for Fine Arts in 2007 and the Medal with Purple Ribbon (Artistic Excellence) in autumn 2011, and is now regarded as one of Japan's foremost representative contemporary artists. Next year he will serve as artistic director for the Yokohama Triennial 2014.
In 1994, Shiseido sponsored a Yasumasa Morimura solo show titled Psychoborg — Madonna, Michael, and Morimura at The Ginza Art Space in Tokyo, and this current exhibition will be his first show with Shiseido in the nearly twenty years since. From 1997 through 2002 Morimura published a series titled Love Letters from Morimura in Shiseido's Hanatsubaki magazine, and since that publication's recent renewal he has continued with a second series, Poisonous Beauty People.
This latest exhibition will feature seventeen photographic works based on Las Meninas (The Maids of Honor), the painting by the 17th century Spanish master Diego Velázquez. Las Meninas is considered notable for the fact that the painter himself (Velázquez) is depicted within the painting, and also for its complex composition, in which the positions/roles and gazes of painter, models and viewers all intermingle in a tangle of lines. The painting poses a number of riddles—What purpose did Velázquez have in creating such a work? What subject is being painted on the canvas that faces away from the viewer?—and scholars have proposed a variety of interpretations.
In 1990, Morimura created his Daughter of Art History series based on the image of Princess Margarita of Velázquez's painting, and since then he has long considered doing a Las Meninas–based piece. But rather than merely reproducing the painting, Morimura wanted to use it as the basis for a new story, and the result is expressed here as “A One-Man Play in Eight Acts.” To create the room that serves as the “stage” of this work, Morimura traveled to Madrid in February to photograph the galleries at the Museo Nacional del Prado. To photograph the characters that appear, in late June and early July he opened the creative process, as a special class, to students at Kyoto City University of Arts, where he has been serving as a visiting professor.
This exhibit will be comprised of seventeen pieces, including both photos that serve as the setting for Morimura's story and portraits of the characters appearing in that story. While in the past Morimura has focused on what is within the frames of his appropriated paintings and photographs, in this piece the characters appear in the museum space outside those frames, resulting in a particularly dynamic effect. And for the first time ever, Morimura himself appears in his own work not impersonated.
We hope you will enjoy the enigmatic, thrilling aesthetic that Yasumasa Morimura offers by adding his own unique interpretations and creativity to one of the masterworks of Western art.
Shiseido Beauty Top Specialist Hirofumi Kera handled the hair and makeup used in the creation of this work. Some of the wigs and costumes used will also be displayed on the ground floor of SHISEIDO THE GINZA.
* Roughly contemporaneous with this exhibition, Yasumasa Morimura will also be presenting solo shows at the Andy Warhol Museum in Pittsburgh (October 6th–January 14th) and the Hara Museum of Contemporary Art in Tokyo (October 12th–December 23rd).
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Yasumasa Morimura Profile
Yasumasa Morimura was born in 1951 in Osaka, Japan, where he still lives. He has a BA degree from Kyoto City University of Art.
Selected Solo Exhibitions
2013 | Theater of the Self, The Andy Warhol Museum, Pittsburgh Rembrandt Room — Again, Hara Museum of Contemporary Art, Tokyo |
2012 | Morienniale/Imitating Art History, Shizuoka City Museum of Art, Shizuoka / Kitakyushu Municipal Museum of Art, Kitakyushu Invitation to Art History, Mitsubishi-Jisho Artium, Fukuoka |
2011 | Portrait Economy, Others, BLD Gallery, Tokyo A Requiem: Art on Top of the Battlefield, Galeria Juana de Aizpuru, Madrid |
2010-11 | A Requiem: Art on Top of the Battlefield Tokyo Metropolitan Museum of Photography, Tokyo / Toyota Municipal Museum of Art, Aichi / Hiroshima City Museum of Contemporary Art, Hiroshima / Hyogo Prefectural Museum of Art, Hyogo Morienniale/Imitating Art History Takamatsu City Museum of Art, Kagawa / Fukuyama Museum of Art, Hiroshima The Power of the Others — Microcosm of Yasumasa Morimura, Hyogo Prefectural Museum of Art, Hyogo |
2010 | A Requiem: Another Story, Shugo Arts, Tokyo |
2009 | Sickness Unto Beauty — Me As Actress, Iwami Art Museum, Shimane |
2008 | Requiem Por El Siglo XX, Galeria Juana de Aizpuru, Madrid Requiem for the 20th Century / Twilight of the Turbulent Gods, Galerie Thaddaeus Ropac, Paris |
2007 | Twilight of the Turbulent Gods / A Requiem for somebody, #2, Shugo Arts, Tokyo Beauty Classroom, Listen Quietly, Contemporary Art Museum Kumamoto, Kumamoto / Yokohama Museum of Art, Kanagawa Requiem for the 20th Century / Twilight of the Turbulent Gods, Fondazione Bevilacqua La Masa Galleria di Piazza San Marco, Venice / Luhring Augustine Gallery, New York |
2006 | Season of Raging Fire / A Requiem for somebody - #1, Shugo Arts, Tokyo One Artist's Theatre, Gary Tatintsian Gallery, Moscow |
2005 | Lives of Satirists — Presented to Goya, Shugo Arts, Tokyo / Galerie Thaddaeus Ropac, Paris / Luhring Augustine Gallery, New York / Galeria Juana de Aizpuru, Madrid |
2003 | Barco Negro on the Table, MEM, Osaka |
2002 | Story of M's Self-Portraits (with M-Style Diorama (25m)), Kawasaki City Museum, Kanagawa |
2001 | An Inner Dialogue with Frida Kahlo (Self-Portraits), Hara Museum of Contemporary Art, Tokyo / Galerie Thaddaeus Ropac, Paris / Luhring Augustine Gallery, New York Story of M's Self-Portraits, Museum Eki, Kyoto |
2000 | Yasumasa Morimura: Historia Del Arte, Fundacion Telefonica, Madrid The Time with No Name, The Self with No Name, Chulalongkorn University, Bangkok |
1998 | Yasumasa Morimura: Self Portrait as art History, Museum of Contemporary Art, Tokyo / National Museum of Modern Art, Kyoto / Marugame Genichiro-Inokuma Museum of Contemporary Art, Marugame, Kagawa |
1996 | Yasumasa Morimura: The Sickness Unto Beauty – Self-portrait as an Actress, Yokohama Museum of Art, Kanagawa / Luhring Augustine Gallery, New York |
1994 | Rembrandt Room, Hara Museum of Contemporary Art, Tokyo Psychoborg — Madonna, Michael, and Morimura, The Ginza Art Space, Shiseido, Tokyo |
1993 | The Sickness Unto Beauty vol.1–5, Nishida Gallery, Nara 9 Visages, Fondation Cartier pour L'art Contemporain, Paris |
1992 | Options 44, Museum of Contemporary Art Chicago, Chicago / The Carnegie Museum of Art, Pittsburgh |
1990 | Daughter of Art History, Sagacho Exhibit Space, Tokyo |
1989 | Criticism and the Lover, Mohly Gallery, Osaka |
1988 | Mata ni, Te, Gallery NW House, Tokyo / ON Gallery, Osaka |
1986 | Mon Amour Violet et Autres, Gallery Haku, Osaka |
1984 | Hiramatsu Gallery, Osaka |
1983 | Galerie Marronnier, Kyoto |
Selected Group Exhibitions
2009 | 100 Stories About Love, 21st Century Museum of Contemporary Art, Kanazawa, Ishikawa |
2008 | Busan Biennale 2008, Busan Museum of Modern Art, Gwangalli Beach, APEC Naru Park, etc. Busan Into the Atomic Sunshine — Post-War Art Under Japanese Peace Constitution Article 9, Daikanyama Hillside Forum, Tokyo Liquid Crystal Pictures — Still/Motion, Mie Prefectural Art Museum, Mie / National Museum of Art, Osaka / Tokyo Metropolitan Museum of Photography, Tokyo |
2004 | Marcel Duchamp & 20th Century Art, National Museum of Art, Osaka / Yokohama Museum of Art, Kanagawa The Copy Age — From Duchamp Through Warhol to Morimura, The Museum of Modern Art, Shiga |
2002 | Emotional Site, Sagacho Food Building, Tokyo Future Plan — My Life ☆ Theater, Hyogo Prefectural Museum of Art, Hyogo |
2001 | Yasumasa Morimura & Sawako Goda, The Museum of Art, Kochi |
1998 | Technotherapy, Produced by Morimura, Nakanoshima Central Public Hall, Osaka |
1996 | Hugo Boss Prize: 1996, Guggenheim Museum SoHo, New York 10th Biennale of Sydney, Sydney |
1994 | Cocide y Crudo, Centro de Arte Reina Sofía, Madrid Of the Human Condition: Hope and Despair at the End of the Century, Spiral Garden, Tokyo / Ashiya City Museum of Art & History, Hyogo |
1992 | Homage to Spanish Still Life by Yasumasa Morimura & Miran Fukuda, Nagoya City Art Museum, Nagoya Post-Human, Musee d'Art de Pully, Lausanne / Castello di Rivoli Museo d'Arte Contemporanea, Turin / Deste Foundation for Contemporary Art, Athens /Deichtorhallen Hamburg, Hamburg |
1991 | A Cabinet of Signs: Contemporary Art from Post-Modern Japan, Tate Gallery Liverpool / Whitechapel Art Gallery, London /Malmö Konsthall, Malmö The Everyday of Art — Anti-Art/Pan-Art, National Museum of Art, Osaka |
1990 | Culture and Commentary: An Eighties Perspective, Hirshhorn Museum and Sculpture Garden, Washington DC |
1989 | Against Nature: Japanese Art in the Eighties, San Francisco Museum of Modern Art, San Francisco / Akron Art Museum, Akron / MIT List Visual Art Center, Cambridge, Massachusetts / Seattle Art Museum, Seattle / Contemporary Arts Center, Cincinnati / Grey Art Gallery, NYU, New York / Contemporary Arts Museum, Houston / ICA Nagoya |
1988 | East Meets West: Japanese and Italian Art Today, ART/LA '88, Los Angeles Convention Center, Los Angeles Venice Biennale / Aperto 88, Venice Art Now 88, Hyogo Prefectural Museum of Art, Hyogo |
1987 | Photographic Aspects of Japanese Art Today, Tochigi Prefectural Museum of Fine Arts, Tochigi Yes Art / Deluxe, Sagacho Exhibit Space, Tokyo / Gallery Haku, Osaka |
1986 | Art Differencie — Scene of painting transformation, Gallery Haku, Osaka |
1985 | Smile with Radical Intent, Gallery 16, Kyoto |
1984 | Can't You See We Are Not Reticent?, Gallery View, Osaka |
Selected Recent Publications
Self-Portrait as Actress: Yasumasa Morimura, Nigensha Co., Ltd., 2010 Manebu Art History (Imitating Art History), Akaaka Art Publishing Inc., 2010 Rojian Sensei no Anpontan, Shinchosha Publishing, 2010 Conversations About Requiem/Considering the 20th Century, Iwanami Shoten Publishers, 2011 |
Recent Awards
Kyoto Cultural Merit Award, 2006 Minister of Education Award for Fine Arts, 2007 52nd Mainichi Art Award, 2011 Photographic Society of Japan Award, 2011 24th Kyoto Artistic Culture Prize, 2011 Medal with Purple Ribbon, Autumn 2011 |
■Exhibiting Works
- In Praise of Velázquez: Distinguished ones in confinement,
2013
- Living in the realm of paintings (the Princess),
2013
- Living in the kingdom of paintings (the painter),
2013
■ Related Events
(1) Yasumasa Morimura gallery talk | |
Date: | November 16th, 2013 (Sat), 14:00 – 16:00 |
Place: | Shiseido Hanatsubaki Hall, Tokyo (Shiseido Namikidori Headquarters Building 3rd floor) |
(2) Yasumasa Morimura talks with Nobuyoshi Araki | |
Date: | December 7th, 2013 (Sat), 14:00 – 16:00 |
Place: | Shiseido Hanatsubaki Hall, Tokyo (Shiseido Namikidori Headquarters Building 3rd floor) |
Capacity: | 200 guests |
Participation fee: | None |
Inquiries: | The Shiseido Gallery (Tel 03-3572-3901 or Fax 03-3572-3951) |
■ Details for the Exhibition Yasumasa Morimura LAS MENINAS RENACEN DE NOCHE
Sponsor: | Shiseido Co., Ltd. |
Support: | Embassy of Spain in Japan Instituto Cervantes de Tokio |
Collaboration: | Issiki Architects & Partners, Air France, Kyoto City University of Arts, Shashin Kosha Co., Ltd., Dai Nippon Printing Co., Ltd., DNP Media Art Co., Ltd., FUJIFILM Imaging Systems Co., Ltd., and Motoco Land-Masaki Collection (dog breeder) |
Duration: | September 28th (Sat) – December 25th (Wed), 2013 |
Location: | The Shiseido Gallery Ginza Shiseido Building, B1 8-8-3 Ginza, Chuo-ku, Tokyo 104-0061 Tel: 03-3572-3901; Fax: 03-3572-3951 |
Hours: | Weekdays: 11:00AM–7:00PM Sundays and national holidays: 11:00AM–6:00PM Closed: Mondays (including holidays falling on Monday) Admission is free. |